Not just us, but lots of good stuff to see in the first three weeks of November, 2011.
Cry of the Mountain - Greenbelt, Md - October 2, 2012, 3pm
Cry of the Mountain, back from it’s wonderful month long performance in the Edinburgh Festival Fringe is all cranked up to perform in Greenbelt, Maryland.
We are part of the closing celebration of their Artists in Residence:
So, come get some green in Greenbelt.
This show, presented by recreation department, is FREE.
Many thanks to Nicole DeWald, Arts Supervisor, for making this event happen.
And as always, great banjo music, this time by Charlottesville Renaissance man Bud Branch.
And everyone gets a cookie.
Three Weeks is a key source for honest theatre reviews from the Fringe. They gave Cry of the Mountain, the top rating of 5 stars. And, the reviewer came to the show twice.
Here’s the review:
Three Weeks - The biggest reviewer at the Edinburgh Festival
The mountains of Appalachia are vanishing into rubble. Adelind Horan brilliantly takes the stories of twelve real people whose lives have in some way been affected by mountaintop removal mining, and turns it into a mesmerisingly emotional piece of theatre.
Slipping effortlessly from one character to the next, Horan unveils a story of exploitation and political frustration that is breathlessly moving in its intensity. Her portrayal of Ed Wiley, a former miner turned activist, brings tears to her own eyes as well as those of the audience and it is heartbreakingly beautiful to watch the power of his story take hold of her with such passion.
‘Cry of the Mountain’ is an unmissable piece of theatre.
Pleasance Courtyard, 3 – 28 Aug, 2.15pm (3.15pm), £7.00 – £8.00, fpp251.
tw rating 5/5
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Sections: by Samuel Johnston - ED2011 Theatre Reviews - tw rating 5/5
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And just for fun, for those of you not on facebook, here’s Max and Lydia, pickin’ and a flyerin’ in the Courtyard before the show.
Yesterday, we were delighted by a 4 star review from The Scotsman, the most reliable reveiw source, and the national paper of Scotland. The review is linked and pasted below. The print version listed Cry of the Mountain as a “Hot Show!”
As you will read, the show, Addie, Max, and even the cookies got a rave review.
Thanks so much, again for making this happen…
http://www.edinburgh-festivals.com/viewreview.aspx?id=2654
Picture used in Scotsman review - 4 Star Review.
Theatre review: Cry of the Mountain |
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| By David Pollock Published: 12/8/2011 |
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A DEFIANTLY low-key affair, this one-woman, multi-character verbatim piece is a textbook example of both educating without preaching and of keeping an audience absolutely gripped with just one voice onstage.
The excellent Adelind Horan speaks the words of a procession of real people from the mountains of West Virginia and Kentucky, each of them on either side of the live debate about the mining practice of mountain-top removal.
The piece has been beautifully structured, offering a dozen vignettes taken from interviews with each of the people involved. These monologues convey the original conversations with apparently documentary precision, recreating stutters, hesitations and, at one bewildering point, a man’s panicked fear that a poisonous spider has crawled inside his shirt. Horan’s impersonations are unstinting, with forthright young women, beleagured middle-aged men and wise, sad old timers, all finding themselves perfectly inhabited.
These testimonies combine empathy with balance. Ed Wiley, an ex-miner and campaigner who remembers pumping waste into underground caverns, almost breaks down with guilt when recalling his granddaughter’s illness through water contamination. Matt Landon, a volunteer organiser with United Mountain Defense, remembers what he considers his politically motivated arrest for passing an unstaffed checkpoint on a public road. Yet coal industry administrator Don Gibson points out that coal provides the majority of America’s energy needs, and that he would rather see his son go into the industry than be sent to the Middle East to fight for oil.
It all adds up to an unfailingly human portrait of the situation, punctuated by moments of crystalline emotional resonance: actress Stephanie Pistello’s description of seeing a mountain top sheared off with dynamite to claw out the coal within; housewife and retired sociologist Lynda Ewan handing out home-baked cookies (they’re very tasty) and considering that mankind’s survival might be dependent on the grassroots tendency towards democracy being stronger than that towards fascism; elderly “keeper of the mountains” Larry Gibson declaring bravely that “they gon’ get you anyway if you don’t fight back”. Soundtracked by Max Wareham’s rich live banjo playing, this wonderful and often amusing show recasts the “gap-toothed and dehumanised” stereotype of the Appalachians as a vibrant community of historic conflict and change, and an important environmental battleground on America’s doorstep.
Well, we made it….
Yes, one lost bag but that was mainly the fault of JFK Airport and a day later (later that day) it was delivered to our door stop.
Addie on the Royal Mile Day One
We stopped by our leasing agents friend’s art gallery to pick up the keys and made our way to our flat.
Which was nice.
And then we took a walk around Edinburgh until we were beyond tired. I mean really tired.
Tire, but yes, we are here at the world largest theatre festival.
Well, on Saturday, July 30th, we pack up our Appalachian show and take it to the world’s largest theatre festival. And If the results are anything like the reviews of our 5 show run at the Capital Fringe Festival, we’ll be in Scottish Heaven.
Addie in the Capital Fringe Tent. Photo by Bud Branch.
Let me post our reviews here so you can read them if you’d like:
All good.
And we closed the cap fest night on a very hot night in July, with a very hot show, and a very well deserved standing ovation for Addie (and Bud).
Thanks to all who came.
Go to the Capital Fringe. www.captitalfringe.org
The you take the high road and I’ll take the low road….
http://www.edfringe.com/whats-on/theatre/cry-of-the-mountain
Read the Review Here. Cry of the Mountain from the Fringe
The experience of being an audience member can be kind of alienating, caught behind the fourth wall. But every once in awhile along comes a performance that can truly feel intimate, in which a person communicates their ideas to the audience with breathtaking efficacy…. (read more)
